What are first inversion triads?
What are first inversion triads?
A chord (triad, seventh chord, or any other chord) with the 3rd scale degree in the bass and the root somewhere above is said to be in FIRST INVERSION. For a triad, this would mean the chord is spelled (from bottom to top) either 3 – 5 – 1 or 3 – 1 – 5.
How do you play first inversion?
The first inversion of a chord is when we switch the bottom keynote of the chord to the top note. For example, with the previous C major chord we would move to the next C key and play the C at the top so that it plays as E, G and C. This will give the chord a slightly higher tune than the root position.
What is 1st and 2nd inversion?
A triad is in “ root position ” when the root is the lowest note, “ first inversion ” when the third of the chord is the lowest note, and “ second inversion ” when the fifth of the chord is the lowest note.
Why are triads used in first inversion?
By placing this chord in first inversion, the bass line becomes smoother. We can also use first inversion when repeating a chord. In this example, the first two chords are duplicates. A composer may feel that this passage needs more movement.
What is first inversion called?
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it.
How many inversions do triads have?
three inversions
Triads can appear in three inversions. The inversion is determined by the lowest note of the chord. In root position the root is the the lowest note. In first inversion the third is the the lowest note.
How do inversions work?
A chord inversion occurs when any note other than the root of a basic chord is played down at the bass. For example, a basic C major chord includes the notes C, E and G. C, the chord note name and root, is placed at the bottom of the chord.
What note do you double in a first inversion chord?
fifth
1 Voicing a First Inversion Chord. In contrast to the doubling rule for root position chords (i.e., “double the bass”), do not double the bass note for first inversion triads. Instead, double the root or fifth, depending on which can be approached and left most smoothly.
