What is a control room in a recording studio?

The control room is where the mixing desk is located. Usually there’s a window to the live room for visual contact. Traditionally, the control room is also the place where the record will be mixed later on, but some studios have additional mix rooms without access to a live room.

How many square feet do you need for a recording studio?

Recording studios should be 17.5 feet (5.33 m) wide, 10 feet (3.05 m) tall, and 23 feet (7.01 m) long at a minimum. This ratio lowers pressure issues, so you’ll have fewer problems to treat. If you can get an even larger space, do it, as bigger studios give you more options than smaller ones.

How big should a control room be?

A 10 – 12′ ceiling height is good in a control room and the 17 or 18-foot width is wonderful. Even with splayed walls, right-angled walls for reflection management, the angled ceiling for reflection management, a diffused rear wall for reflection management, these are ideal control room dimensions.

What is the best shape for a recording studio?

When selecting a room for your studio, you should try to use a rectangular-shaped room, as they tend to have the best potential for proper bass reproduction. Try to avoid square, round or irregular rooms, as they tend to be more problematic.

Do I need a control room in my studio?

Do I need a Control Room in my studio? Having a control room is certainly a necessity for your recording studio. A studio engineer needs to be able to monitor the sound of the room over headphones and over monitor speakers. This is why you need a room dedicated to recording and other room dedicated to a control room.

How do you build a recording studio wall?

Adding mass

  1. Build a thicker wall. If you’re building a wall from scratch, choose a thicker drywall (around 1.6cm) that can absorb more sound.
  2. Apply wall padding.
  3. Use Acoustical Glue.
  4. Create air gaps.
  5. Float the floor.
  6. Use isolation pads.
  7. Seal gaps with foam gaskets.
  8. Install a door sweep.

What is needed in a recording studio?

What Basic Equipment is Needed for a Recording Studio?

  • Laptop or Desktop Computer.
  • Digital Audio Workstation.
  • Microphones and Stands.
  • Mixing Board.
  • Sound Baffles.
  • DJ/Mixing Headphones.
  • Studio Speakers.
  • Instruments.

Should I record in a big or small room?

Try to use a small-to-medium sized room with a lot of stuff in it. Specifically, with a lot of SOFT stuff like beds, couches, pillows, rugs and so on. You also want to avoid rooms with a lot of hard surfaces and windows. So your kitchen and bathroom are probably not the best places to record a vocal.

How do I turn my room into a recording studio?

23 Ideas for Turning a Spare Room into a Home Music Room

  1. Start with Soundproofing. Photo via @robbiegalloway247.
  2. Invest in a Drum Shield. Photo via @zeergee.
  3. Brick Walls Are Your Friend.
  4. Invest in Sturdy Shelving.
  5. Add Room Dividers.
  6. Embrace Stylish & Strategic Lighting.
  7. Disguise Your Equipment.
  8. Use Instruments as Decor.

How thick should recording studio walls be?

Vary the drywall thickness on the inside of our studio walls by selecting 1/4″ and 3/8″ thickness. For the outside wall, let us use 3/8″ and 1/2″ with a vinyl layer. Also, vary the thickness of our vinyl between each of our drywall sandwiches.

How do I set up a small recording studio at home?

How to Set Up a Home Recording Studio

  1. Choose the right room. Most homes aren’t designed with home recording in mind.
  2. Use a walk-in closet as a recording booth.
  3. Soundproof your room.
  4. Choose a desk and desk chair.

What kind of room is best for recording?

The bedroom. The bedroom is probably the first and most common place to make recordings in a house.

  • The bathroom. If there’s one room in the house that has a distinct sonic personality, it’s the bathroom.
  • The kitchen:
  • The living room.

    • Why are parallel walls bad for recording studios?

    If you build non parallel walls in your studio, it will make the room’s modal paths much harder to model and predict. Since you would be wanting to treat those modes regardless of where they occur, it makes very little sense with today’s understanding of room acoustics to design a control room in this way.