What is an example of an objective correlative?

Eliot uses Lady Macbeth’s state of mind as an example of the successful objective correlative: “The artistic ‘inevitability’ lies in this complete adequacy of the external to the emotion….”, as a contrast to Hamlet.

What is objective correlative?

An objective correlative is a very popular literary term. It has now attained popularity as a literary concept. It refers to a literary description that depicts an emotion and hopefully evokes that emotion in the reader or viewer.

What are the concepts of Eliot’s objective correlative?

Objective Correlative is a term popularized by T.S. Eliot in his essay on ‘Hamlet and His Problems’ to refer to an image, action, or situation – usually a pattern of images, actions, or situations – that somehow evokes a particular emotion from the reader without stating what that emotion should be.

Who is famous for objective correlative?

T. S. Eliot’s
The theory of the objective correlative, as Eliot uses the term, has its roots in ‘Hamlet and his Problems’, one of T. S. Eliot’s most important and influential essays. It was first published in 1919.

What is objective correlative in New Criticism?

In his essay ‘Hamlet and His Problems’, T.S. Eliot explores the idea of an “objective correlative”. This phrase refers to an object, set of objects or chain of events in a text which convey the emotions in the text to the reader.

What is an objective correlative What function does it perform in a story?

Simply put, an objective correlative is an object in the story that serves a symbolic purpose. It’s an everyday item that possesses some thematic presence, or conjures an image, or jukes an emotional response from the reader, implying a meaning larger than what is actually there.

Who first used objective correlative?

T.S. Eliot
objective correlative, literary theory first set forth by T.S. Eliot in the essay “Hamlet and His Problems” and published in The Sacred Wood (1920).

Who is the father of the term objective correlative?

objective correlative, literary theory first set forth by T.S. Eliot in the essay “Hamlet and His Problems” and published in The Sacred Wood (1920).